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Gagakutan 11: Taro’s Rendition of “Taishiki-cho Netori,” – Silence of Death and the Pulse of Life

#Gagakutan #Gagaku #Traditional Japanese Music
  November 1, 2024, Taro Ishida’...
石田多朗

Gagakutan 10: Taro as a Gagaku Composer, Part 2

#Gagakutan #Gagaku #Traditional Japanese Music
        Previousl...

Gagakutan 9: Taro as a Gagaku Composer, Part 1

#Gagakutan #Gagaku #Traditional Japanese Music
      ◆2014-2022: The ...
陵王乱序

Ranjo Document

#Gagaku #Traditional Japanese Music
We have released the documentary movi...

[Gagakutan: Side Note ③]

#Gagakutan #Gagaku #Traditional Japanese Music
  This is an excerpt from a conv...
石田多朗

Gagakutan 8: Encountering Gagaku — The Birth of “Kotsuka”

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          Ov...

Gagakutan7: “SHOGUN” × “Gagaku” – What Fascinates Foreigners and Modern Audiences About Gagaku?

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    The FX epic drama "SHOG...
SHOGUNサウンドトラック

Gagakutan6: The Role of Gagaku in the “SHOGUN” Soundtrack

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    High-Resolution Drama "...

Gagakutan5: Toru Takemitsu, “Gagaku,” “Film Sound,” and Taro②

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  I would like to share some ins...

Gagakutan 4: Toru Takemitsu, “Gagaku,” “Film Sound,” and Taro①

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  Last time, I wrote that Gagaku...

[Gagakutan: Side Note ②]

#Gagakutan #Gagaku #Music #Traditional Japanese Music
      This is an excer...

Gagakutan3:Is Gagaku the “Fourth Element of Film Sound”?!

#Gagakutan #Gagaku #recording #Traditional Japanese Music
          &n...