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We describe our day-to-day activities as we work in the natural surroundings of Nasu.

Why Gagaku Musicians Don’t Always Play in Sync Rethinking Rhythm Through Nature and Sound – Taro Ishida’s “RA” #02

Hello, I’m Taro Ishida. Today’s episo...

Why Does Gagaku Speed Up?

Time and Aesthetics in Traditional Ja...

Why I Started “Ra” — Rethinking Music in the Age of Social Media

Why I Started “Ra” — Rethinking Music...

Gagakutan 19: Tochigi Performance Report (Fin.)

#Gagakutan #Gagaku #recording #Traditional Japanese Music

  January 12, 2025 - Tochigi Per...

Gagakutan 18: Tochigi Performance Report (3)

#Gagakutan #Gagaku #recording #Traditional Japanese Music

    January 12, 2025 - Toch...

Gagakutan 17: Tochigi Performance Report (2)

#Gagakutan #Gagaku #recording #Traditional Japanese Music

      January 12, 2025...

Gagakutan 16: Tochigi Performance Report (1)

#Gagakutan #Gagaku #Traditional Japanese Music

  January 12, 2025 - Tochigi Per...

Gagakutan 15: The Samurai and the Gagaku

#Gagakutan #Gagaku #Traditional Japanese Music

    The Ōnin War: A Crisis ...

【Gagakutan: ⑤ The Performance Space of Gagaku】

#Gagakutan #Gagaku #Traditional Japanese Music

    This time, I’d like to ...

Gagakutan 14: The Samurai and the Shō

#Gagakutan #Gagaku #Traditional Japanese Music

      ◆Samurai, Gagaku...

Gagakutan 13:The Shō – Life and Harmony

#Gagakutan #Gagaku #Traditional Japanese Music

      In the previous ...

中村華子

Gagakutan 12: The Living Essence of the Shō

#Gagakutan #Gagaku #Traditional Japanese Music

  "The harmonies of each instrum...