Gagakutan 11: Taro’s Rendition of “Taishiki-cho Netori,” – Silence of Death and the Pulse of Life
#Gagakutan #Gagaku #Traditional Japanese Music
November 1, 2024, Taro Ishida’...
Gagakutan 10: Taro as a Gagaku Composer, Part 2
#Gagakutan #Gagaku #Traditional Japanese Music
Previousl...
Gagakutan 9: Taro as a Gagaku Composer, Part 1
#Gagakutan #Gagaku #Traditional Japanese Music
◆2014-2022: The ...
Ranjo Document
#Gagaku #Traditional Japanese Music
We have released the documentary movi...
[Gagakutan: Side Note ③]
#Gagakutan #Gagaku #Traditional Japanese Music
This is an excerpt from a conv...
Gagakutan 8: Encountering Gagaku — The Birth of “Kotsuka”
#Gagakutan #Gagaku #Traditional Japanese Music
Ov...
Gagakutan7: “SHOGUN” × “Gagaku” – What Fascinates Foreigners and Modern Audiences About Gagaku?
#Gagakutan #Gagaku
The FX epic drama "SHOG...
Gagakutan6: The Role of Gagaku in the “SHOGUN” Soundtrack
#Gagakutan #Gagaku #Traditional Japanese Music
High-Resolution Drama "...
Gagakutan5: Toru Takemitsu, “Gagaku,” “Film Sound,” and Taro②
#Gagakutan #Gagaku #Traditional Japanese Music
I would like to share some ins...
Gagakutan 4: Toru Takemitsu, “Gagaku,” “Film Sound,” and Taro①
#Gagakutan #Gagaku #Traditional Japanese Music
Last time, I wrote that Gagaku...
[Gagakutan: Side Note ②]
#Gagakutan #Gagaku #Music #Traditional Japanese Music
This is an excer...
Gagakutan3:Is Gagaku the “Fourth Element of Film Sound”?!
#Gagakutan #Gagaku #recording #Traditional Japanese Music
&n...
